Built overnight, just for you
Editorial File-System Designer
Personalised tool for Lynne — Freelance graphic designer — editorial/magazine, solo, Adobe + Dropbox
Live until 21 June 2026
Scan to keep this tool — open on your phone
solopreneursuperpowers.com/demos/lynne/
How we got here
- 01
The brief
“The design work isn't the problem. It's tracking versions when revisions come in. It's hunting for which file is current. It's renaming everything so I can find it again. The chaos around the work eats more hours than the work.”
- 02
The pattern
Most people fix file chaos by typing 'organise my Dropbox' into Claude and getting a generic Assets / Output / Final tree back. It's already wrong before you've moved a single file. The shape of the system depends on questions the model needs to ask first — about your client cycle, your delivery format, your revision flow.
- 03
The move
Talk to the wrench. Ask Claude what it needs to know before asking it to design the system. The questions ARE the deliverable — they teach Lynne which variables matter. The same move that works for confirmation emails: the model lists the inputs, the inputs become the form.
- 04
The build
One Claude Haiku 4.5 call. ~1,400-token system prompt encoding editorial-design domain knowledge (InDesign packaging, X1a/X4 export, supplier vs stock photo flows, revision lifecycles). Output renders the questions FIRST, then the system that answers them.
- 05
The tool
Try it below. Describe a real editorial project — what type, who supplies what, how revisions flow, how delivery happens. The wrench surfaces the 4-6 questions a sharp collaborator would ask. The system then returns a real folder tree, naming convention, revision protocol, and an asset-intake template you can paste straight into a client email.
Want a private version that also generates your client-facing revision summaries and asset-intake checklists?
Start with DiscoverFile chaos isn't a design problem — it's an information problem. Generic Dropbox templates fail because they don't know whether your client sends one master file per issue or fresh files per round, whether they mark up proofs as PDFs or rename files in-place, whether your supplements share assets with the main magazine. The wrench asks those questions first.